Surface and Undercurrents
In August, our Courtroom Gallery will host a special group exhibition featuring work by North Carolina artists Lisa LeMair, Christina Lorena Weisner, Christopher Proto, Emily Holmes, Wendy Allen, Scott Solter and Ashley Paskov.
Surface and Undercurrents: Influences from Iceland, the Arctic & the Anthropocene is a collaborative group exhibition that explores environmental themes. Ideas for this exhibit were developed during the artists' retreat in Iceland during the summer of 2023.
Each artist brings a focus on issues related to human-caused climate change and environmental responsibility, from the rise of invasive species (including humans!), the toll of polluting industries, melting of the glaciers and sea-level rise, technology, and the impact of tourism, over-fishing, and over-consumption.
These are challenges that face not only the Arctic region and Iceland, but also here at home in North Carolina.
The exhibition will include sound and video installations, sculptural objects in a range of disciplines, original acrylic monoprints and collages, and other functional art that wrestles with these issues.
Show Dates + Opening Reception
Surface and Undercurrents: Influences from Iceland, the Arctic & the Anthropocene will be on display in the Courtroom Gallery August 2-31, 2024.
There will be an opening reception on Friday, August 2 from 6pm to 8pm, where visitors can meet Lisa LeMair, Christina Weisner, Christopher Proto, Emily Holmes, Wendy Allen, Scott Solter and Ashley Paskov and view their work.
The opening reception is during downtown Manteo's First Friday festivities, and is free and open to the public.
Lisa LeMair
Lisa is a multidisciplinary artist. She creates sculptural works and integrated collections of wearable art and jewelry. Lisa has a diverse creative and professional background, with experience in higher education administration and the nonprofit
sector, along with her business, LeMair Handcrafts.
Scott Solter
Scott has been an audio engineer, producer, and mixer working mostly with independent artists in a wide range of styles for over 20 years. With a history in both tape and digital recording he also has an inclination for manipulating sounds with unorthodox and abandoned devices. His methods and techniques tend towards sound design, with an emphasis on radically shifting the input material to discover the deeper layers of any musical gesture.